This served two purposes: firstly, the resulting tracks could be placed back to back in dances to create a “juggling” (playing from version to version), which also provided an easy way to determine the version audiences gravitated towards most - that would then usually be the one to get the commercial push. Producers would build a backing track and record many different artists over the top. Due to economic factors, dancehall productions - or riddims - had to be cost effective. The opportunity to go inside of the studio for a new artist was a treasured one. They could make or break an artist, and usually did. In days gone by, the producers in reggae and dancehall yielded most of the power. For consistency and out of respect for the roots of dancehall culture, we have primarily chosen the earliest versions released in Jamaica (usually on seven-inch single). Note from the editor: The majority of tracks on this list were released multiple times over the years, licensed to separate labels across different territories. The vast majority of the tracks selected have been created since the evolution of the digital era in the mid ‘80s, which took the genre to a new level and created a path for the music as a whole. This is what I’ve drawn on for this list - the songs I have relied on make sure that I get the job done effectively, with as much collateral damage to the club as possible.Īs a final point, although reggae and dancehall have been the core of Jamaican music for over 60 years, the chart lends itself in the main to the area of digital dancehall. I can confidently challenge you to hear Chaka Demus & Pliers’ ‘Murder She Wrote’ and not realise that the party is about to start! It’s undeniable that the drums used in dancehall are some of the most infectious around they force involuntary body movements by anyone in close proximity to a speaker.
#REAL ROCK RIDDIM REMIX CODE#
There are times that as a DJ I feel I have the cheat code to making the ravers happy with the music that I represent. But what I have drawn on most is the experience of playing the music where it sounds best - in the Dance Hall. Some of these tales are why I have chosen tracks to be in this list.
Even lyrically, what triggers me to raise my hand in the air with a two-finger gun salute is controlled by an emotion or feeling that I am going through at the time.ĭancehall music has been the backdrop that added the colour to so many stories of love, danger, envy, freedom, justice, dancing and, of course, marijuana. How others absorb the basslines and digital drums while in their own world will be different to how I do in mine. The fear of not getting it correct because of difference in opinions rested heavily on my thoughts. Dancehall is a lifestyle!īeing asked to complete a list of the 100 most important dancehall tracks ever was a frightening proposition for many reasons. The way we talk with slang and patois is dancehall. The pull up, wheel up, spin-back is dancehall. The kill switch or filtering of basslines to create a drop is dancehall. As a DJ, I’ve played most if not all genres of music on radio and in clubs worldwide, but dancehall has always been at the forefront - it’s who I am.ĭancehall is not just about the music it’s a culture, a way of life, language and fashion. Dancehall music has been the driving force in my career.
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